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How Joya replaced lifestyle photo shoots with AI-generated images built on 3D models

From two photo shoots a year to campaign images made when they are needed.

By Johan Bertilsson

Twice a year, Joya’s marketing team had to decide which new shoes would get a campaign.

Each season brought 15 to 20 new models. Around five of them were photographed for lifestyle images.

Today, any model in the range can be chosen.

From two photo shoots a year to campaign images made when they are needed.

Shoots
Before: two photo shoots a year, each covering 15 to 20 new models
Coverage
Lifestyle imagery focused on around five models per shoot
Method
Now: all lifestyle imagery is created with Fibbl’s AI Studio
Channels
In use on the website, social media, magazine ads, A1 posters, trade fair banners and B2B channels

Joya is a Swiss health shoe brand, part of kybun Joya. Since 2023, it has worked with Fibbl to move its footwear assortment into 3D. [CONFIRM: company description, carried over from the voting tool article]

Those 3D models already produce Joya’s packshots, product pages and B2B catalogue images. They also powered the pre-season vote in which Joya’s retail partners scored a new collection before the factory order was placed.

Fibbl’s AI Studio puts the same models to a different use. It starts from the 3D model of the shoe and generates the scene around it. Joya’s team selects the shoe and writes a prompt describing the setting and the people.

Two shoots a year

Around five models per shoot

Before Fibbl’s AI Studio, Joya organised two photo shoots a year. Each covered the new season’s models, typically 15 to 20 of them.

To keep the shoots manageable, the team focused on around five models it wanted to promote with lifestyle imagery. The other models in the collection were not part of the lifestyle shoot.

A list fixed in advance

A shoot list is set when the shoot is planned, before the season starts. The choice of which shoes would get campaign images had to be made before Joya could see how partners and customers responded to the collection.

With two fixed shoots a year, reacting quickly to what the market needed was difficult.

Switching completely

Joya moved to Fibbl’s AI Studio to save time and gain flexibility. The team names the ability to respond quickly to market needs as a key reason for the change.

Fibbl’s AI Studio was also the first AI tool Joya used. The team went from photo shoots to generated images without working with any other AI solution first.

The change is complete. Joya now creates all of its lifestyle imagery with AI.

What changed

Any model can be chosen

Asked what has changed most, Joya named the ability to pick a specific shoe model for a campaign, even one that was never designated as a marketing item.

A model that was not part of any plan can now get campaign images when a campaign or a retail partner needs them.

Images made to the brief

The team generates images for a specific campaign idea and its requirements, and gets high-quality results quickly. The examples Joya shared cover most of its channels:

  • the main header on the Joya website and a news image for the Limited Edition «Indian Summer»
  • 13 social media visuals for the Limited Edition «Horizon»
  • German-language magazine ads with a contact line for prospective retail partners
  • A1 posters for the FW26 season
  • a roll-up banner at the MICAM footwear exhibition in Milan
  • an image in the FW26 collection booklet
  • the header of a B2B pop-up announcing the SS27 pre-order
The thirteen social visuals for the Limited Edition «Horizon». One shoe model per set, thirteen settings, none of them photographed.

“AI Studio gives us the flexibility to respond quickly to the needs of our partners and the requirements of our campaigns. This enables us to create suitable, customized images within a very short time and tailor our communication to specific audiences and objectives.”

Monika Müller
Global Marketing Associate, Joya

Why this matters beyond Joya

1. The shoot no longer sets the limit

For Joya, the number of shoes with lifestyle images used to depend on how many a shoot could handle. It now depends on what each campaign needs.

2. B2B gets its own images

Joya’s quote mentions partners before campaigns. Many of the examples are for the trade: the pre-order pop-up, the collection booklet, the partner ads and the MICAM banner.

For a brand that sells through retailers, producing a specific image for a specific partner or trade moment is part of the value, alongside consumer campaigns.

3. The shoe has to be right

Joya’s campaigns are about the sole. The FW26 posters lead with FOREVERFOAM and the line “The sole that never gets tired”. A generated image that changed the shape of that sole would work against the claim it is meant to support.

This is why Fibbl’s AI Studio starts each image from the 3D model of the actual shoe rather than from a description of it.

Joya used to choose around five shoes per shoot for its campaigns.

Now the campaign chooses the shoe.

Johan Bertilsson
Johan Bertilsson
Co-founder, Fibbl
ABOUT THE AUTHOR

Johan is co-founder of Fibbl, where he leads go-to-market. The team has scanned over 20,000 shoes and bags into interactive 3D, and he works directly with more than 50 footwear and bag brands including GANT, Gola and Samsonite on replacing traditional photography workflows with 3D and AI content production.

Johan Bertilsson
Johan Bertilsson
Co-founder, Fibbl

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